Accordingly, the veneration of St. Anne the Third is the central motif. The mother of Maria - depicted with her daughter and the infant Christ (hence the figure of St. Anne the Third) - occupies the upper half of the tomb. The decision for the unusual form on a crescent moon and with a halo may have been an expression of the patrons' personal design intentions. In any case, there is evidence of widespread veneration of St. Anne in pre-Reformation times. In Eberbach, the cult of St. Anne also had its own tradition, as a finger relic of the saint was kept in the church treasury. The quality is impressive: the first traces of the Renaissance can be seen in the work of art, which is otherwise dominated by the late Gothic period and can be attributed to the work of the Mainz master Peter Schro. It was probably created shortly after Allendorf's death.
Source: German Inscriptions Online (43, no. 376), Academy of Sciences Mainz
Image of the tomb: Michael Leukel
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Tombstones
These are fascinating life stories that can be found carved in stone in Eberbach - and which are now being told with the help of a QR code project.